Donkey

(from Breyer History Diva, 2010)




It’s a little hard to tell from this picture, but this little Donkey is a test color. He’s the same color as the #376 Brighty, the 1991 re-release in that quirky gray-brown dun color with the white belly and muzzle, and shoulder striping. Being that it is an undatable "newtoymens" piece with no real provenance, I don’t know if he was a test color for Brighty, a rejected test for the 1992 Election Donkey with the Brighty paint job, or even a test for another release entirely.

Some molds have lots of test colors floating around, and some have almost none, and the old Donkey mold is one of the latter. I’ve seen more test pieces on the Brighty mold - and even the Kitten - than the old Donkey. Part of the reason is that there haven’t been that many Donkey bodies lying around to experiment with: aside from his brief return in 1992, he’s basically been out of production since the mid-1970s.

Why the Donkey mold has been missing for so long is a matter of debate. I think a lot of collectors just assume that, like the Fury or the old Racehorse, he’s an old, dated mold that has been superseded by newer, more popular donkeys. We have the Brighty, the Companion Series Miniature Donkey, and now the cutie-pie Stablemates Donkey to fill in the gaps of the donkey-loving collector’s heart.

There may have been some damage to the mold that prevented or limited his return, too. According to former Breyer employee Steve Ryan, the Donkey mold was allegedly damaged in the aborted attempt to move production to Mexico in the 1970s. I don’t know how much truth there is to it; my interactions with Mr. Ryan did not inspire confidence in his grasp of Breyer History.

While real-life donkeys don’t come in quite the same color range as their cousins do, they certainly come in more colors than the old Breyer Donkey has: gray, gray, gray … and gray. There’s a lot of variation in that boring gray paint job, though, and one could amass a nice-sized collection of its many variations, from pale gray to near-black.

There are a few bay and Five-Gaiter Sorrel Donkeys from the 1960s floating around, too, but their color is sometimes so dark and muted that they are sometimes mistaken for just another shade of gray. And they may well be, as we have no documentation of it being a separate release or special run item.

There have also been rumors of Woodgrain Donkeys. I’m willing to entertain the notion of their existence, possibly as another Special Run item for the Ranchcraft Lamp line, but so far I haven’t seen one that passes historical muster. Red Mill - a company that manufactured figurines out of a crushed pecan-shell composite material - did make a fairly good copy of the Breyer Donkey, and that might be fueling the rumor.

Fighting Stallion - Woodgrain

(Breyer History Diva, 2009.)

 Here’s a great example of the sort of thing that gets me out of bed before dawn on Sunday. I call him - Smudgie!


It’s a little hard to see in the full body shot, but his graining is actually smudged all over. For comparison, here’s his brother, who I picked up from the same dealer on a different day last year. He has more distinct and typical woodgraining:


(And yes, this guy is a variation too - but today is Smudgie’s day in the spotlight!)

Here’s a few closer-up shots for comparison (and proof that I don’t lie when it comes to my weak photography skills.)

Smudgie:



Smudgie’s Brother:



When I first saw Smudgie, I thought he was either damaged, or a fake; he looked a little like some early attempts at faux woodgrains I’ve seen. But he’s passed the scratch, sniff and dunk tests; even his foam footpads are intact. I’ve had some issues with the dealer I purchased him from (mostly because he knows just enough about Breyers to be a problem) but he’s totally unaware of even the notion of fakes, so I can say with some confidence that he’s 100% original finish.

Woodgrains vary a lot: the technique was messy, difficult and hard to master. Some have very distinct graining, and on others it’s almost invisible. It can be neat or sloppy, light or dark. But I’ve never seen one smudged like this before - there might be some smudging in an awkward spot or two, but all over?

The Fighting Stallion was the last production Woodgrain in the regular run line, lasting up through 1973. Other Woodgrains were being produced through the late 1960s and early 1970s, too, but they were probably special items manufactured mainly for Dunning Industries and their Ranchcraft Lamp line.

Smudgie has a USA mark, which means he is from the tail end of the Woodgrain production era. (His brother is, too!) That suggests a couple of possible explanations for his finish. He could have been an experiment with a slightly different, more subtle-looking woodgraining technique. Or, he could have just been a touched-up/fixed up cull - his woodgraining might have gotten smudged in spots in production, and in an effort to salvage him, they just smudged the rest of him up to match.

I tend to thing the latter explanation is probably more plausible than the former. I’m a little out of the normal geographic range for finding Chicago-era oddballs, for one thing. (It's not impossible, just unlikely.) The touch-up/fix-up hypothesis also make sense for the time period: he was likely manufactured no more than a year or two before the "True Chalky" era of the early to mid-1970s, when good quality translucent white Tenite was getting expensive. Breyer did a lot of creative things then to minimize waste and salvage what they could from the discard bins. Some models were painted over - and became Chalkies. (Well, mostly.) It’s not hard to believe that Smudgie is just the product of another type of creative salvage.

Black Adios

(Breyer History Diva, 2009.)

There is no such thing as a Black Adios Special Run. What you see here is also not a Black Adios: it’s a Mesa, in the extremely handsome and rarely used "Mahogany" paint job. (Few models would not be improved by it!) It’s probably the closest I’ll ever get to a Black Adios, and I’m okay with that:


I see the Black Adios on a lot of want lists as a valid item. Nancy Young listed it as such in her reference bible. And there are just enough of them out there that some folks may actually find one, lending credence to the idea of it being a special run. But what they’re buying isn’t really a special run.

A Special Run item has to have a few things going for it to qualify as a one. One characteristic is consistency: all of the models have to be the same, or nearly the same: one batch might have better shading than another, or slightly different markings, but the variability is relatively narrow.

The second characteristic is limitation: it is either available only for a limited time, in a limited quantity, or only through a specific dealer or venue.

The third characteristic is acknowledgment: it has to be advertised or distinguished from a regular run item.

Not every special run item shares every characteristic, but they do meet at least two of them. "Acknowledgement" probably the most controversial: a lot of early special runs - especially the XMAS catalog items, and the Woodgrain Ranchcraft Lamps - were never advertised as such, but that’s mostly because the term really didn’t exist back then.

"Acknowledgement" mainly applies to later items that are very similar or identical to regular run releases, but were specifically advertised as specials. The most obvious item would be the Toys R Us Bay Fighting Stallion - virtually identical to the regular run release, but sold a special run.

(There’s another subcategory of this kind of special I call Post-Production Specials, which are regular run items rereleased after their original discontinuation, but I’ll leave that esoteric concept for another time.)

The Black Adioses only really meet one of the criteria, and it’s only because of the person who was involved in their creation: Marney. The Adios model was a particular favorite of hers, and the black paint job was an extremely easy one to render. Any Adios cull with reasonably clean seams could quickly, and easily, be transformed into a Black Adios.

Markings on these Adioses varied widely - some had leg markings, facial markings, gray hooves, tan hooves, black hooves - whatever Marney’s mood and the condition of the body allowed.

They were made over a period of years; she didn’t have a stockpile of Black Adioses waiting for shipment or orders to come in. They were made whenever she had access, opportunity, and potential customers. Some were reputedly available as a gift at the end of factory tours. 

So they were not limited by time or quantity. There was no real consistency in markings or finish. They were not really advertised as special runs, though Marney was never really consistent with that terminology one way or another either. They were available almost exclusively through Marney, but that’s because she was probably the one making them on an ad hoc basis.

So what do we call them? How do we classify them? It’s a good question I really have no answer for: he’s a unique case. The Black Adios is the Black Adios.

Post Production Runs?

(Breyer History Diva, 2009.)


I’ve created the term "Post Production Runs" to cover cases of regular run models being put back into production after they were officially discontinued from the catalog. These models were more common in the 1960s, when Breyer was more accommodating to its customers and not as attentive about sending out updated price lists.

I came across this phenomenon when I purchased an unusual Breyer Bloodhound. There’s some controversy over the actual discontinuation date of this guy, but the records do seem to agree that he was gone before 1970, when most Breyer molds (but not all) received the USA mark. Theoretically, no Breyer Bloodhound should have the USA mark.


This one does.

I also have in my possession a mail order catalog from 1970 that features the Bloodhound. It’s not listed as a special or exclusive item - it’s just another one of many Breyer items listed for sale. I could have just chalked this up as a case of overstock being sold - except for the existence of my odd little fellow.

A Post-Production Run model would be, in most cases, indistinguishable from a regular run item; the only ways we could tell would be if there was (a) some documentation or (b) a change in the mold actually happened. Like this Bloodhound (possibly.)

As I hinted above, these probably happened more often in the 1960s, when Breyer wasn’t necessarily communicating with its customers on a timely basis. If a customer happened to order an item that just happened to be discontinued, I’m sure they just painted up the required batch per the order, provided they had the bodies available or the mold wasn’t already mothballed.

Most of the Ranchcraft lamp Woodgrains may fall into this category - although most of the Woodgrains used were regular run items, a lot of them appear to have been produced in the late 1960s, after the original discontinuation date. The most telling clue in the Ranchcraft case is the existence of Woodgrain Running Mare and Foal lamps with USA marks: in their original release, the Woodgrain Mare and Foal were discontinued at the end of 1965 - five years before the molds received the USA mark!

(Some of the Ranchcraft Woodgrains, though, are true special runs. And there’s some question as to whether all the lamps are classifiable as true special runs. I’ll get to that another time, though.)

There may have been a Wal-Mart post production run of the Matte Gray Appaloosa Family Arabians, too. It was a persistent rumor I heard in the 1980s, though I was never able to prove or disprove it. I did think it was interesting that the Matte Gray Appaloosa Family Arabians with USA marks seemed a little more common than they should have been. It leads me to think that some of the ones that were distributed through Bentley Sales might have been the cast offs of an aborted special run. (Don’t take it as gospel truth, though!)

In the 1970s, Breyer did bring back some discontinued items after a year or so, but I tend to classify them as regular runs, since they appear in the official catalogs. (The scuttlebutt I heard was that they had excess stock of these items in the warehouse, and putting them back in the catalog was a way of generating enough orders to move them out. I’m not sure if I believe the explanation, but that’s what I heard.)

I’ve called these items "Post production specials" before - a slightly different distinction that upon further reflection I’m not entirely comfortable with. Calling them "special runs" is not completely incorrect - they meet two of the three criteria I’ve set - but most of these items are intentionally indistinguishable from their regular run cohorts. I wouldn’t doubt that most serious collectors have at least one or two hidden in their collection, right now.

You’ll never know, of course, unless you can find that little difference that makes all the difference. Like in the case of my Bloodhound.

Ranchcraft Lamps

Since I’ve mentioned them a couple times recently, in passing, here’s a helpful list of known Ranchcraft Woodgrain Lamps:

• Family Arabian Foal
• Running Mare and Foal
• Running Foal Wall Sconce
• Fighting Stallion
• Longhorn Bull
• Buffalo
• Polled Hereford Bull

There are non-Woodgrain Ranchcraft lamps too, but I haven’t tracked them as closely as the Woodgrains. Among the best known of these are "variations" of the Woodgrains: Family Arabian Foal in Palomino, the Running Mare and Foal in Bay, and the Buffalo in Brown. They’re desirable, of course, but not on the same level as the Woodgrains.

There hasn’t been a lot of research done to date on the Ranchcraft Lamps, mostly because they were not considered official Breyer products, and never appeared in any official Breyer promotional material. Most of what we know about the Ranchcraft Lamps comes from vintage mail-order catalogs and a handful of contemporary magazine ads. Our data is so fragmentary that we can’t pinpoint a manufacturing date: my best guess, from what sources I do have, is roughly from 1965 through 1970, give or take a year either way.

Have you noticed something funny about that time period? Yes, most Woodgrains - with the exception of the Family Arabians and the Fighting Stallion - were discontinued by then. While it’s possible that Breyer sold Dunning Industries a number of leftover Woodgrains from their warehouse, I believe a lot - if not most - of the Woodgrains they used were either special run or post production run pieces manufactured specifically for them.

The best evidence for that is the existence of two Woodgrains that are found only on lamps: the Buffalo, and the Polled Hereford Bull. The PHB didn’t even make it into Breyer’s lineup until 1968 - a couple of years after even the Family Arabians were discontinued in that color!

The Buffalo and Polled Hereford Bull lamps are, of course, the rarest of the lamps: there aren’t more than a handful of either one floating about in the hobby. (The Polled Hereford Bull is high on my "desperately wanted" list!) The rest are slightly to somewhat more common, especially the Running Mare and Foal and the Family Arabian Foal - I’ve found a couple of each of those myself, and I don’t normally find a lot of Woodgrains in these parts.


The Running Mare and Foal Lamp appears to have been either the most popular or best-selling piece: it appears in a 1972 Miller-Stockman mail-order catalog (for sale at a pricey $37.95 - Ouch!) Since a small number of these Mare and Foal Lamps also have USA mold marks, that’s further evidence suggesting that these Lamp-based Woodgrains were SRs or PPRs. The USA mold mark did not appear on the Running Mare and Foal molds until at least 1970 - five years after they were officially discontinued in Woodgrain.

Dunning Industries wasn’t the only company that produced lamps using Breyer models, just the best known. I have other ads, and other mail-order catalogs that feature a wide assortment of lamps from the early 1960s through the early 1990s. Most of these other manufacturers, though, used common, off-the-shelf models. While they do certainly have some appeal - especially to fans of whatever mold they happen to feature - they don’t have quite the same mysterious, romantic cachet as the Ranchcraft Woodgrains.