Molded On Tack

(From Breyer History Diva, January 2011)

I never did get around to talking about the Quarter Horse Gelding, did I?

I was never much of a Bonanza fan - I have nothing anything Westerns per se, it just never clicked with me - so I have no idea how appropriate a mold the Quarter Horse Gelding is for Chub. I certainly don’t object to the selection: the more Quarter Horse Geldings, the better, as far as I’m concerned.

It does seem a little odd to me that we’re seeing him in Bay, again: he's now up to four Bay production runs:

• 99 Gloss Bay (ca. 1960-1966)
• SR Matte Bay (ca. mid-1980s)
• 410401 Riding Academy Set (2001 J.C. Penney’s XMAS SR)
• 1453 Chub

Dude's getting almost as bad as the Hanoverian or the Trakehner! To make matters worse, he’s even been used to test other shades of bay, including this one for the Dan Patch release of the Pacer:


(He doesn't seem like an obvious choice to test a Pacer's paint job, does he? It took me a couple of months to realize duh, it was the halter.)

Fortunately, each of these Bays is different enough in markings, shading or finish for misidentification to be fairly minimal. The only issue some collectors might have is with the Matte Bay SR, who is so rare that many are either completely unaware of his existence, or mistake him for something else entirely. (Something I discussed in greater detail back inMay 2009.)

It’s funny that until recently, I never gave much thought to the Gelding’s molded-on halter, until the whining from hobby’s peanut gallery made it an issue again.

A not-insignificant number of the earlier Breyer molds came with molded-on tack and accessories: the Western Horse and Pony, the Fury/Prancer, the Racehorse, the Walking Angus Bull, both versions of the Poodle, and the Western Prancing Horse. What’s interesting is that most of these molded-on tack molds were derived from - or at the very least, were inspired by - molds from other manufacturers.

(FYI: The "most" part of the previous sentence will be addressed in my next post.)

It makes me wonder if the Quarter Horse Gelding was derived from a still-unidentified secondary source. It wouldn’t surprise me at all, if it did. Grand Wood Carving - the Chicago-based company that inspired Breyer’s Woodgrain finish, and at least three other Breyer molds - is the most likely suspect. My reference materials are a little thin in that department, though, so it’s going to have to remain a hunch for now.

Unpainted Models

(Breyer History Diva, 2009.)

Some unpainted models are interesting from a sculptural standpoint: many of the Hess molds look more like art than toy in their naked state. But for the most part, I regard unpainted models as blank canvases - one indistinguishable from another. It’s the paint job that makes a horse rare or stand out from its identically-shaped cohorts.

A few unpainted models technically qualify as special runs - such as the G1 Riegsecker Draft Horse that came with the multiple-piece SR set in the 1980s, and the 1980 JAH Special Offer Unpainteds. Even so, it’s difficult to impossible to tell those SR Unpainteds from a run of the mill factory escapees, unless you can provide the documentation (receipt, or in the Drafters' case, a complete unbroken set and/or history of ownership.)

Now, there are always some exceptions to the rule. There have been many subtle - and not so subtle - mold changes over the years, and an unpainted model of an earlier version of a mold will have some historical value. The Saddlebred Weanling is an obvious candidate - the pre-Rocking Horse, attached tail version will definitely have more value and cachet than later one with a detached tail. An unpainted unmuscled Clydesdale or a supermuscled Quarter Horse Gelding would be a major coup for almost any collector, too.

(What, you don’t know about the various different versions of the Quarter Horse Gelding mold? Another topic teaser, I know.)

Unpainted chalkies have some value, too - some of you probably familiar with the infamous Pinkie Proud Arabian Foals that have floated around the hobby for years now. One of the few unpainted models I have in my collection is a chalky G1 Saddlebred (she’s not basecoated: she’s actually an opaque white plastic one.) Sorry for the small pic - it’s a former Blab avatar:


The swirled-plastic and solid-colored Stablemate keychains also qualify as unpainted models, as do the Tortuga-style Decorators, but I would argue that in those cases, it’s the plastic itself that becomes the "surface" treatment, not the paint.

There are some unpainted models being sold by various dealers as samples - with rough seams, handwritten notations and tags and stuff like that - that may also have a slightly higher-than-nominal cash value, depending on how trustworthy you consider the dealer and the documentation he or she provides. (I’m going to assume that, being the conscientious hobbyists that you are, you probably already possess the slightly skeptical mind to be wary of anyone’s extraordinary claims of rarity or general awesomeness.)

I suspect in most cases where an unpainted model goes for an exceptional or seemingly unwarranted price, it’s just another case of someone’s (or a couple of someones’s) overwhelming need to have something special and unique. It’s just that in the case of unpainted models, there are very few true instances of uniqueness: underneath every painted model is an unpainted one.

Quarter Horse Gelding

(Breyer History Diva - 2009.)

Since he’s been getting a little well-deserved attention in the spotlight, I thought I’d spend a little time discussing a favorite mold of mine: the Quarter Horse Gelding. I was originally going to classify today’s particular topic as an Urban Legend, but it’s really just a case of mistaken identity: the persistent confusion between the Chestnut and Bay Special Run Geldings.

Here is the 1987 Red Chestnut Quarter Horse Gelding Special Run:


Approximately 1400 pieces were made - a pretty big piece count for a 1980s special run. He didn’t exactly set the model horse world on fire: it’s not the most attractive color, and he’s never been a terribly popular mold. It shouldn’t be surprising that in spite of the fact that about half of them were probably customized and flocked by one of the dealers who received them (Eighmey’s Wagon Shop,) he’s still a relatively easy and inexpensive model to pick up.

This, on the other hand, is the 1984 Matte Bay Quarter Horse Gelding Special Run:


It is estimated that about 300 pieces were made of this particular guy, though I think that piece count may be low: it’s only an estimate from one of the dealers who received him. That particular dealer was also Eighmey’s Wagon Shop. Like the Red Chestnut SR, they altered and flocked most of the models they received - 250 of the 300, supposedly, leaving only about 50 pieces in their original state.

Rumor has it that Caauwe Sales in Nebraska also received some. But probably not a lot: the only Matte Bay I’ve even seen for sale in recent years was my example, and I found him in a body box lot on eBay. (Thus explaining his less than minty state.) In an era that saw a lot of small, poorly distributed special runs, he’s right up there with some of the rarest.

Because they were similar looking 1980s special runs of the same mold, distributed by mail order, both partially "destroyed" by the same distributor, they’re frequently confused with one another. Most of the information I find about them online and elsewhere mangles the data about the two pretty thoroughly.

The fact that few collectors have heard - or seen - an actual Matte Bay QH Gelding probably contributes to the confusion. I know when I first heard rumors of his existence, I wasn’t inclined to believe them. I never saw one for sale, and I didn’t know anyone who’d cop to owning one. I thought it was just another one of those phantom special runs that only existed on collector want lists.


The body color between the two is similar - the Chestnut is more reddish than the Bay - but as always, it’s the details that make the difference. The Chestnut has gray hooves, and a small star. The Matte Bay has black hooves, a black mane and tail, a large star and snip, and a dark shaded muzzle - not unlike the original Gloss Bay release. My Matte Bay has higher than average stockings too, but that might just be a natural variation, not a characteristic of the special as a whole.

(And unlike the Gloss version, the Matte Bay will always have the USA mold mark. That should go without saying, but with all of the subtle mold mark changes lately, one can never be too careful...)

A few more Matte Bay Quarter Horse Geldings will show up eventually, as more collectors learn to distinguish them from their more common chestnut comrades - not a lot, but a few. I suspect that more collectors will suddenly discover that their Bay rarity is actually a more pedestrian Chestnut.