Saturday, January 25, 2014

Sleighbells Ring! Are You Listening?

Sleighbells ring! Are you listening?
In the lane snow is glistening!
A Beautiful sight, we're happy tonight
Walkin' in a winter wonderland.


I love sleighbells, and have had a real set since the early 1990s. They reside on my player piano, ready to be jingled when the grandchildren (or I) play Christmas songs.

Recently I was reading Jennifer Buxton's blog (she's one of THE premier tackmakers in the hobby.) In an entry on January 6, she said she had completed some sleighbells for an order and posted a picture.
(Photo by Jennifer Buxton. Used with permission.)

 Oh, my!! I have wanted some in miniature for my models for years. I wondered if Jennifer would make me a set, figured it didn't hurt to ask (although I was pretty sure her books were closed), and so I emailed her, asking if her books were open so that I could get on her waiting list.

To mu surprise, she immediately agreed, saying she had all the materials out and on hand, so it would not be any trouble to slip me in! Excitedly I sent some reference pictures, including this one:
I also sent close ups of the tie ends, and answered a few questions Jennifer had about color of the leather and what size to make them. She even went out and bought silver bells just for me as all she had were gold.

Two days later, Jennifer sent me this picture of my new sleighbells on one of her horses.
(Photo by Jennifer Buxton. Used with permission.)

At this point I was over the moon, I was so happy to have mini sleighbells for my collection!

When they arrived, I felt it fitting to let a few of my oldest, treasured models from my carpet herd show them off.
 Hercules (I've had him since the 1960s.)
Miss Windy Warpaint. (One from 1970.)

And perhaps most fitting of all since his name is Jingles...
 ... one of Leslie's first horses. She gave him to me in the 1980s. I treasure him as she did.

I cannot thank Jennifer enough for squeezing me into her busy tackmaking schedule.

Thursday, January 16, 2014

Chalky - a Definition

(From The Online Chalky Museum)


What is a "Chalky"?
The term Chalky is most often used to describe models that have been basecoated with white paint before their normal run colors are applied. These models look as though they were carved from chalk and so the name. This practice of bascoating models was most prevelant in 1974 at the height of the oil crisis. At that time Breyer was using cheaper plastics that were either partially or entirely non-white and so these needed to be painted white first. Green, Purple, Pink, Grey, and Black plastic have all been reported. In some additional cases Breyer painted over leftover models from previous runs. This has happened all through Breyer's history from the 1950s to today, but traditionally, when referencing chalky models, collectors are talking about the 1970s era models.
Also during the oil crisis, another secondary type of chalky model emerged. This is what is also known as a "chalky plastic" model. In my experience basecoat and plastic chalkies are almost indistinguishable at first glance.  The plastic used to mold the models is itself very opaque white and the paint appears to sit on top of it in the same way it does on a basecoated model, unlike the normal Breyer plastic which absorbs the paint over time. This plastic is also very brittle and the paint jobs are much more fragile. The paint will almost rub off in your hands if you apply a little pressure.
How can I tell a chalky model from a standard model?
If you are unsure whether or not your model is chalky, there are several things you can check. Many collectors will agree that one good way to identify a basecoated model is to look at the bottom of the hooves. Basecoat chalkies tend to have a very distinct "pooling" effect on the underside of the hooves. You can imagine a thick coat of paint was applied and then the model was set down on a table while the paint was still wet. Normal models will simply have flat, white plastic on the underside of their hooves. The photo below is of a chalky FAM, and demonstrates this pooling effect.

In some models this pooling effect will also be evident in other areas. The basecoats were often very thick and so detail is lost in the deeper grooves on the mane and tail. You can see in the photo below how the thick paint sits in the lower grooves on this rearing horse's tail.

Another thing you will notice, if your model has any paint rubs, it may be rubbed all the way down to a different color plastic. The rub will have like a bright white halo around a green or grey or black plastic surface. Normal models will simply have rubs down the their normal white plastic. On this jumping horse, for example, you can see by his rubs that he is molded out of grey plastic, painted white, and then painted his bay color.

Chalky plastic models are much harder to describe. They have the same opaque painted white look as basecoated chalky models, but that is the way the plastic is. Many people confuse the two, and I have been sold "genuine basecoat chalky" models that were really chalky plastic! The biggest difference I can see if the chalky plastic will have a little bit of a shine to it, while the basecoated models are usually very matte. My QH Yearlings and clydesdale foals are definitely molded out of this kind of plastic. If you scratch the surface on the bottom of their hooves you can tell there is no paint there. This chalky plastic Running Stallion was broken in shipping. You can see the plastic almost looks like plaster all the way through. It is known to be much more brittle than normal cellulose acetate.

Below is a photo of a chalky plastic Western Prancer with a normal plastic prancer. You can see here how the mold detail really pops out, unlike what we saw with basecoat chalky models, which often lose detail with that thick extra coat of paint.

How much is my chalky model worth?
In general, chalky models carry a higher value than their normal plastic counterparts. In some cases the difference in value can be huge, and in other cases only a few dollars. I am working on compiling a trade history of known chalky models and hope to one day have a relatively accurate value table on the site. There are several factors involved, though, as they would be in the value of any Breyer model.
First, is it a popular mold? The Proud Arabian Mare and Foal, Indian Pony, Adios and the Fighting Stallion are among the most popular of Breyer's older molds, and so it is no surprise that these chalky models carry an extra premium. The Family Arabian molds, on the other hand, are less desirable and so the chalky versions generally sell for only a small amount more than the standard issue Family Arabs (which isn't very much to begin with). These would be a good place to start a collection!
Second, how rare is it? All chalky models are relatively scarce, but some moreso than others. Chalky Clydesdale Foals come up for sale somewhat frequently, while chalky Misty of Chincoteague is hardly ever seen for sale. The harder to find models will command a much higher price than the ones that are more available.
Third, and more unique to chalky models, how much white does the model have? While I personally think my chalky Justin Morgan is cool, he doesn't really stand out among chalkies because he has no white markings. You really have to look closely to even tell he is chalky. The chalky models with less white will tend to have lower values (also not helped by their happening to be less popular molds) with additional examples being the Nursing Mare & Foal, solid bay Jumping Horse, and Man O War. On the other hand, the all alabaster chalky models are very popular and highly sought after.

Chalky Belgian?

Chalky models are hot, hot, hot in the hobby right now. A chalky is a model which was painted over in white paint and then had another color put over that, or a model which was done in an unusually colored plastic that affects the final color of the piece. Most are from the 1970s and 1980s, but they can be found across the history of the company. (See post after this for a more thorough definition.)

Years ago, Karen Lebeda Beeson told me she thought my Belgian might be a chalky. Ever since, I have tried to determine for certain if he is or not.

Here's a chalky Belgian that another person owns for comparison.
 The mane and the white socks are the give away on it.

Now, here's  my Belgian.
 Mine has a similar mane.
 This picture isn't the best, but that hind leg in the back looks distinctly chalky to me.
Here's a better shot.

There are some hobbyists who turn up their noses and say, "If you have to ask, then it's NOT a chalky!" implying that chalkies are obvious and unmistakeable. But that's not necessarily true, and some of those same hobbyists post pictures on Blab asking if particular pieces are chalky or not.

So, I think it's safe to say that chalkies are NOT always obvious, even if you have seen many and know what they should look like.

I am really leaning toward designating this big guy as a chalky.

Levi - Vintage Collectors' Club 2014

Levi is the first piece for the 2014 Vintage Collectors' Club and he is a keeper!!
 Levi, #712102HD, Vintage Collector Club #1 2014, 1/2014, $135
 I think he is gorgeous.
 And possibly a chalky.
 Love his pink nose.
And Breyer has brought back the vintage boxes this year!!

Sunday, January 12, 2014

Zebra #4

There were two of these lying down Zebras at the antique shop.  Both had a flake on one ear, but one had some other breaks so I chose this one.
Lying Down Zebra, Japan, 1950s or 1960s, $8.50. Raven's Roost Antiques, 1/2014

 Mint Japan sticker on base.
A traditional Breyer with the two to show the scale and size.

Zebra #3

And on to Zebra #3!

He's big - Breyer Traditional size. And I REALLY like him.
Traditional sized Japan Zebra, unknown number and maker, $8.50, Raven's Roost Antiques, 1/2014.
He's traditional sized and most likely a Japan from the 1950s, maybe 1960s.
And he has a partial sticker on his belly.

I had difficulty finding a picture of him on Google images, so I think he must be pretty hard to find, certainly harder to find that Zebras #1 and #2.
A photo from the internet (eBay auction.)
Another photo from the same auction.

I will post pictures of him and the other large, lying one on Model Horse Blab and see what I can find out.

Zebra #2

Here is zebra #2. It is a Stone Critter (United Design Corporation, Norman, Oklahoma) from the 1990s and is made of hydrostone. Initially I thought this was a foal, but it is an adult zebra.
 Zebra, Stone Critters, #SC-235, manufactured 1990s, $6.95, Raven's Roost Antiques, 1/2014.
A view of his underside and label.

Just for fun, here is a picture of my two other Stone Critters. Believe it or not, both have won prizes at shows and NAN qualified!
Popcorn (the palomino and a favorite) and Roadkill (lying foal, named by another hobbyist at a live show when I put him in a mascot class. The name has stuck.)